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One or a combination of these approaches will keep just about any signal from pumping. Try moving the filter to the sidechain of the compressor once you’ve established an effective cutoff frequency. If you can’t bring yourself to bypass a compressor, use a pre-compressor HPF on the track in question. If it’s a compression-related issue, don’t compress. If mix problems stem from a lack of monitoring accuracy, it’s fair to ask, “how am I supposed to address the problems in the very same room?” Very fair, but there are some options.
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A low-pass filter (LPF) attenuates content above a cutoff frequency, allowing lower frequencies to pass through the filter. A high-pass filter (HPF) attenuates content below a cutoff frequency, allowing higher frequencies to pass through the filter.
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There are two types of pass filters (Fig. An audio pass filter attenuates an entire range of frequencies.